Theatre for Life
MIYAGI Satoshi

“People need the arts to make meaningful lives.”

We often hear such statements from artists. Generally, they are very earnest comments from people who have been working in the arts field for a long time.

Despite this sincerity, however, in today’s world such comments run the risk of widening divisions in society. That’s because, for many people, it’s hard enough to live day-by-day without imagining they might have money to spare for pleasures in the future. For them, this idea of “meaningful lives” sounds very carefree and easygoing, as if those enjoying the arts are the sort of rich, privileged people about whom they basically feel angry.

Meanwhile, in the last two years when the pandemic has changed our behaviors, we have learned that there are so many people who need the arts in their daily lives. Access to the arts is a vital energy source for such people, like water, so they will dry up without it.

Furthermore, as the human mind and body are closely related, if a person loses their mental health, that will lead to physical health problems. In that sense, arts facilities such as theatres, museums and concert halls fulfill the same functions as hospitals — namely, these facilities enhance spiritual treatment for lots of people.

In today’s Japan, the people who use such arts facilities aren’t a majority of the nation. However, just as people may suddenly and unexpectedly call for a doctor one day, anyone can also need spiritual treatment through the arts.

For example, theatre can help to heal people’s loneliness. The actors on stage always try to project their energy to everybody in the auditorium without distinction. Consequently, theatre works gradually on people who may otherwise feel left out or left behind in society or feel lonely in their daily lives.

So it is my sincere hope — and wish — that many people will experience the joys and benefits of theatre at this year’s World Theatre Festival Shizuoka.
Let’s all celebrate its return on SPAC’s 25th anniversary!

MIYAGI Satoshi (General Artistic Director of SPAC)

© 新良太

MIYAGI Satoshi
Born in Tokyo in 1959, after studying aesthetics at Tokyo University under ODASHIMA Yushi, WATANABE Moriaki and HIDAKA Hachiro, he founded the KU NA’ UKA theater company in 1990 and soon began staging plays overseas as well as in Japan. As a result, MIYAGI’s work — in which he often fuses contemporary textual interpretations with physical techniques and patterns of Asian theatre — has long been acclaimed both at home and far beyond. Indeed, in 2004 he received the 3rd Asahi Performing Arts Award, and the next year the 2nd Asahi Beer Art Award.
Since taking up his position with SPAC in April 2007, MIYAGI has staged many of his own works — including “Medea”, the Hindu epic “Mahabharata”, and “Peer Gynt” — and has invited artists from abroad to present pieces casting a keen eye on the modern world as they see it. In line with his aim to make theatre “a window to the world,” he has also started a new SPAC-based project aimed at the youth of Shizuoka.
In 2014, MIYAGI was invited to the Festival d’Avignon, where he received excellent reviews for his open-air version of the Hindu epic “Mahabharata” staged in La Carrière de Bourbon. Following that landmark achievement, the festival extended the honor of inviting MIYAGI to present a Buddhist interpretation he created of the ancient Greek mythological tragedy “Antigone” as its super-prestigious opening program for 2017. On that occasion, which was the first time an Asian play had ever been selected to launch the festival, MIYAGI’s exalted “stage” was the open-air Cour d’honneur du Palais des papes (the Honor Court of the Palace of Popes). By the play’s end, those towering medieval stone walls were ringing out with long and splendid standing ovations welcoming the work’s director and creator along with SPAC’s actors and staff — while more than 60 European media all gave great reviews.
In 2018, he received the 68th Minister of Education, Culture, Sports, Science and Technology’s Art Encouragement Prize of Drama. Also he recieved “Chevalier de l’Ordre des Arts et des Lettres” from the Ministry of Culture of France in 2018.

World Theatre Festival Shizuoka

It’s time to enjoy unique and wonderful arts experiences once again at open-air venues across the Shizuoka City area during Golden Week.

Because of Covid-19, the World Theatre Festival Shizuoka, which SPAC (Shizuoka Performing Arts Center) had held annually for 20 years, was restricted last year to an online-only format titled the World Theatre Festival on the Cloud 2020.

In line with its slogan of “Fujinokuni (the Mt. Fuji region) and the world are connected through the performing arts,” SPAC is renowned for presenting a wide and diverse range of cutting-edge programs from Japan and abroad at venues in Shizuoka City.

So, when the regular weeklong festival had to be canceled for the first time ever, SPAC instead streamed 49 different programs in its World Theatre Festival on the Cloud 2020.

Among the lineup were talks between SPAC’s General Artistic Director, MIYAGI Satoshi, and several foreign dramatists who had been scheduled to present works but were unable to come to Japan due to the pandemic.

In addition, a piece titled “Theatre absence of Mary Poppins with her Upside-down Umbrella” aimed to highlight the loss of live productions as SPAC live-streamed its deserted open-air UDO theatre in the hills for each of the three, two-hour periods when KARA Juro’s play “Mary Poppins with her Upside-down Umbrella” ought to have been presented there.

Now, though, things have changed and SPAC is all set and delighted to be welcoming audiences and artists back again during Golden Week in 2021 to its annual World Theatre Festival Shizuoka after what has seemed to be such a long wait.

This year, as it celebrates the 25th anniversary of its first production in 1997, Shizuoka Performing Arts Centre will again reach out and connect to the world through its annual World Theatre Festival Shizuoka.

What is SPAC? Shizuoka Performing Arts Center

SPAC was founded in 1995 by the Shizuoka prefectural government and commenced its full-fledged activities in 1997 under the direction of SUZUKI Tadashi, its first General Artistic Director. As a pioneer of publicly funded performing-arts organizations in Japan, SPAC retains its own staff of actors, technical and production staff, who are based at its own venues and facilities. The mission of SPAC is not only to create original pieces, but also to invite progressive artistic companies and creators to Shizuoka and to develop human resources seeking expression through the performing arts. Since April 2007, when he was appointed as the General Artistic Director, MIYAGI Satoshi has led SPAC in a buoyant new phase of development and expansion.


General Artistic Director MIYAGI Satoshi
Executive Director SAKURAI Masaaki
Adviser USAMI Minoru
Managing Director NARUSHIMA Yoko
Production Section OISHI Takako (Section Manager), TANJI Haru (Vice Section Manager), NAKAMURA Yuki, TAKABAYASHI Rie, NAKANO Sakiko, YONEYAMA Junichi, UCHIDA Toshiko, SAKAMOTO Ayako, YUKIOKA Jun, KEIMI Aoi, FUSE Tomonori, NISHIMURA Ai, KUGA Haruko, MIYAKAWA Eri, IRIE Kyohei, KITAHORI Ruka, KAWAGUCHI Mio,SUZUKI Tatumi, KOMIE Kaoru, SAKANAKA Toshiki, TOTSUKA Mina, KUREBAYASI Masako
Creative / Technical Section MURAMATSU Atsushi (Section Manager / Technical Director)
Staging HARAIKAWA Yukio(Chief), YAMADA Takahiro, FURUYA Kazumi, YAMAZAKI Kaoru, SUGIYAMA Yuri,OGAWA Tetsurou, MORIBE Rio, TSUCHIYA Katsunori, MIWA Ayaka, YOU Kakin(Trainee)
Lighting HIGUCHI Masayuki (Chief), KOBAYAKAWA Hiroya, HANAWA Yuuki, MORITA Honoka,MIZUNO Hikaru
Sound SAWADA Yukino(Chief), HAYASHI Tetsuya, TAKESHIMA Chisato, OTSUKI Minori / HARADA Shinobu
Scenery FUKASAWA Eri (Chief), SATO Yosuke, WATANABE Hiroki, YOSHIDA Yuna
Costume KOMAI Yumiko (Chief), SEI Chigusa, SATO Rise, YAMAMOTO Kana, MAKINO Saho
Desk UCHINO Akiko
Literary Section OSAWA Masachi, OOKA Jun, YOKOYAMA Yoshiji
Managing Bureau ODA Masuhide, OISHI Naoki, ITO Yusuke, KINPARA Isao, SAKATA Sadami, MURATA Miyuki, YAMAOKA Hitomi
Supporting Member SPAC theatre crew
Public Relations  
Art Director TACHIKAWA Eisuke (NOSIGNER)
Photo KATO Takashi
Translation TANAKA Nobuko
Website Media Mix Shizuoka Co., Ltd.
Video Freeriding


SPAC – Shizuoka Performing Arts Center
2-3-1 Higashishizuoka, Suruga-ku Shizuoka City, Shizuoka 422-8019
Tel: +81-54-203-5730 Fax: +81-54-203-5732

[World Theatre Festival Shizuoka 2022]
Organized by Shizuoka Performing Arts Center (SPAC)
Supported by the Agency for Cultural Affairs Government of Japan
Approved by Fujinokuni Arts Festival

[Mt.Fuji World Theatre Festival Shizuoka 2022]
Organized by the Committee of the Open-air Performing Arts Festival under Mt. Fuji

文化庁 ふじのくに芸術回廊 GOOD DESIGN AWARD 2018
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